This was followed by La notte (1961), then L’eclisse in 1962, by which time critics and international audiences had begun to recognise the director’s bigger project, that this was perhaps one way forward for an artform that was in danger of endlessly repeating itself. ( Log Out /  She has been Vittoria and Anita dismiss such talk. Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti). L'Eclisse (English: "The Eclipse") is a 1962 Italian drama film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti.Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). Monica Vitti was born on November 3, 1931 in Rome, Lazio, Italy as Maria Luisa Ceciarelli. [9] They live in a male-dominated world (in the films and in the background of the films) and it ain’t bloody great! World Film Directors, Volume 1. Strange and beautiful in equal measure. Piero drives back to his office on Via Po near Via Salaria, where he must break the bad news to his investors. There is a feeling at the end, just like La Notte and L’Avventura that the relationship will never come of anything and it will pass into an inconsequential moment of the past…just like the moon passing between the sun and the earth as shown in the eclipse at the end. There is no high significance applied to anything by Antonioni. After a drunk walks by and notices Vittoria at the window, Piero comes over. Ever since my classes for film studies in university, I have seen many of these great directors’ works: I was taken in by De Sica’s inspiring tale from 1948 of working class struggles in Ladri di biciclette (Bicycle Thieves). Known as the trilogy of ‘modernity and its discontents’, L’Avventura (1960), La Notte (1961) and L’Eclisse (1962) saw the rise to infamy for Antonioni, who by then was in his late 40s. She is an actress, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). Dec 4, 2012 - The film "L'Avventura" by Michelanelo Antonioni. another rich prick), who during the course of a single day, sees his marriage to Lydia disintegrate towards the grave. Antonioni holds a mirror to Vitti on set of Il Deserto Rosso (1964). Vitti however tries to bring Giovanni and Lydia back together by speaking sense to them both. [2] The film is considered the last part of a trilogy, and is preceded by L'Avventura (1960) and La Notte (1961).[3][4][5]. [16], Nevertheless, disapproval of the work has occasionally been voiced. Capping off Antonioni's previous two films ( L'avventura and La Notte) in much the same style, this tale involves a woman, Vittoria (Monica Vitti), who has just suffered the break-up of an imperfect … They enjoy a playful walk through a park. Forse no”. As with L’Avventura and La Notte, Antonioni’s attentiveness to the sensory and almost karmic aura of the modern world is to the fore. That evening, Vittoria's neighbor Anita (Rosanna Rory) comes to visit and they discuss the former's breakup. His fantastic musically-sounding name would roll off the tongue of many a film lover for the rest of eternity! La Notte is another of Michelangelo Antonioni's cinematic interrupted journeys. There is no excuse to enforce upon the actress real, insecure feelings so as to get a better picture but it sounds like it was a common practice. 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